For me, this business isn't about principles. It's about people.
In the end, I'm seeing that making broad or controversial changes to the tone of a screenplay is not about compromising ideals, so much as being clear about the core strengths of what I've created. Once I see those strengths, I want to put them in a light where they can have the most impact... where they can do the most good for the other folks involved in the film.
Most of all, that includes the audience.
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