If you have a great idea for a remake, the very first thing you need to do is buy the rights to the thing you're remaking from whosoever may own them currently. That takes research, it takes negotiating, and it takes cash on the barrelhead. From that moment on, you're a producer. Making the movie happen becomes your responsibility.
While it may be disappointing to hear, nobody pays people for suggesting what movies to make or which ideas to develop. When you think about it, that's kind of like backseat driving. No matter how excellent a backseat driver might be at advising you, can you ever imagine actually paying for one?
While it may be disappointing to hear, nobody pays people for suggesting what movies to make or which ideas to develop. When you think about it, that's kind of like backseat driving. No matter how excellent a backseat driver might be at advising you, can you ever imagine actually paying for one?
Probably not.
In fact, everyone in Hollywood has great ideas - from the most successful producer to the poorest actor or writer who can't get work. What matters is not how many great ideas you have, but how you execute them.
In fact, everyone in Hollywood has great ideas - from the most successful producer to the poorest actor or writer who can't get work. What matters is not how many great ideas you have, but how you execute them.
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